In Bring Up the Bodies, Hilary Mantel continues her speculation on the life of Thomas Cromwell – Master Secretary and consigliere to King Henry VIII of England – as he works to remove Anne Boleyn from the throne of England because Anne has failed to produce a male heir for the king and, more essentially, because Henry has grown tired of her.

Mantel delivers a brilliant synthesis of the genre and literary novels, offering action, intrigue, sex, and blood as well as masterful writing, sharp-edged dialogue, finely drawn characters, and acute psychological insights. More impressively, she takes absolute possession of Cromwell’s mind and then offers readers a prime seat in it.  Bring Up the Bodies is the sequel to Mantel’s Man Booker Prize-winning novel, Wolf Hall.

Ayn Rand talks fantasy football

In our previous installment of Made-Up Truth, we were pleased to present a transcript of The Football Circus show featuring special guest commentator, Barack Obama, discussing fantasy football.

This week, Made-Up Truth is delighted to offer a transcript of TFC’s all-time most popular segment, featuring iconic author Ayn Rand. Let’s get it going!

[Lights come up. Lively music plays. TFC appears sitting at a desk with a distinguished looking older woman. She wears a severe expression and is dressed in a formless grey shroud. The woman’s skin seems both pearly and translucent.]

TFC: I’m happy to introduce our guest commentator this week. Please welcome novelist, pseudo-philosopher, and Tea Party inspiration Ayn Rand. Give her a hand folks!”

[Lively applause from the audience.]

RAND: Thanks, TFC. It’s great to be here.

TFC: It’s great to have you. So, I guess there’s an after-life after all. What’s it like?

[RAND fixes TFC with a cold, angry stare.]

RAND: Have you heard Aaron Rodgers is a big fan?

TFC: How nice for you. Moving right along. First game this week is …

TEAM BARBECUE at FUBOOZERS. What do you think, Ayn?

RAND: Adrian Peterson is a better running back than Maurice Jones-Drew, so Fuboozers will win.

TFC: Okay, I agree Peterson is better. But what about Kitna versus Brady? Brady’s the better quarterback, but Kitna has a good match-up versus Detroit. And the BBQs have a stronger team overall. Both these guys are living in the cellar, but I’d put my money on the Barbecues.

RAND: Peterson is a better running back than Jones-Drew, so Fuboozers will win.

TFC: Right, I heard that. But there are seven other players. I gave you reasons why I think the BBQs will win. Let’s have a conversation!

RAND: Peterson is a better running back than Jones-Drew, so Fuboozers will win. I am thinking and you are not.

TFC: You can’t ignore all the players except Peterson and Jones-Drew.

RAND: I am thinking and you are not.

TFC: Look, that’s not an argument. You told my producer you would offer startling insights and persuasively reasoned opinions. We flew you in Business Class from frickin’ Limbo. We put you up at the Four Seasons. You ate all the Chex Mix in the Green Room. We have the right to expect better.

RAND: I am thinking and you are not.

TFC: You’re not going to make me give up by being a mono-maniacal bitch about this.

RAND: I am thinking and you are not.

TFC: You make…

RAND: I am thinking and you are not.

TFC: Jesus! Okay, fine. Fuboozers will win. Happy?

RAND: Now you’re beginning to think!

TFC: Next up, we’ve got…

KICK-ASS FLOWER KIDS at THE MIGHTY MUSKRATS

RAND: The Flower Kids are naked hippies rolling around in the mud doomed to die with all the other naked hippies rolling around in the mud doomed to die. Naked hippies covered in mud doomed to die can never win a fantasy football game. Ever.

TFC: The Flower Kids won the AWFL Cup a few years ago.

RAND: I am thinking …

TFC: … and I am not. All righty. And the Muskrats have been scoring a million points lately, too. Now, let’s look at…

THE PEACH STATE REBELS at TEAM BIG GOVERNMENT

RAND: Bah! Government lawyer! Team Big Government is a moocher, parasite, looter, bloodsucker. He wants to enslave true, powerful, good, productive, and creative minds. He hates and envies those who can think because he cannot. He steals the wealth of corporations and their heroic chief executives. If he is not stopped, America will crash into ruins within the next six months. I do love his world-famous turkey burgers, though.

TFC: Let’s hear it for those turkey burgers. I take it you think the Rebels will win?

RAND: Duh.

TFC: How about we keep it moving, folks. Here’s one.

FOUR ACES at THE EVIL PETES 

RAND: Evil doesn’t exist. Evil is what the weak, the stupid, the venal, and the thieving call the achievements of society’s geniuses. Because The Petes are weak, stupid, venal, and thieving, they are Evil. Because they are Evil, they do not exist. It is impossible for a team that does not exist to win a fantasy football game. The Four Aces do exist. Therefore, they win by forfeit. You cannot fault by logic.

TFC: And we wouldn’t even try. Okay, our next game is …

ROLLING THUNDER at THE HANDSOME GUYS

Ah, the Handsome Guys. They remind me of Nathaniel Branden. Nice boy. Little slow on the up-take. It took a while for Nathaniel and his wife to see the logic of Natty becoming my lover. But once he did, mmm-mmm. Yes, they are much alike. I can’t wait to sample their succulent man-flesh. On your knees and get busy, bitches!

TFC: Are you talking to me or the Handsome Guys?

RAND: The Handsome Guys, of course. Who else?

TFC: Just checking. So we can assume the Handsome Guys are going to score a lot this week?

RAND: Oh yes!

TFC: Good luck to the Handsome Guys with that. Here is our game of the week:

RED HOT CHILLY WILLYS at DARTH VADER RAIDERS

RAND: This is what happens when you put the good of others above your own happiness! Anakin Skywalker was a genius. He could have been John Galt’s son. What did those socialist Jedi do to him? They made him feel guilty for wanting to be himself. The result? The universe plunged into tyranny and darkness! Billions dead. Mindless Bolshevik clones running everything! If I could get my hands on that little green freak, Yoda…

TFC: Woah, hey, calm down. Fiction. Completely made up. No relationship to reality at all. Just a story.

RAND: It is? Really?

TFC: Yes, I promise. Do you think The Willys have any chance this week?

RAND: With the way The Raiders have been playing? Honestly, no.

TFC: Let’s finish with …

THE CHIP CHOMPERS at THE LONE STAR WRANGLERS

RAND: Excuse me. I have to take this. Alan Greenspan is asking me a question on his Ouija board.

[For several minutes, RAND stares straight ahead and mutters. Some phrases are audible, including “Deny everything” and “Issue counter-accusations” and “On your knees, bitches!”]

RAND: I’m back. Sorry to make you wait. Old friend.

TFC: No problem. What do you think about the Chompers?

RAND: This is a tough game, but I think the Chompers will pull it out. You have to like Rodgers over Schaub the way Houston is playing. I think Ricky Williams will have a better game than predicted with no one at quarterback in Miami to throw the ball. The Wranglers have got Cowboys and I see a let-down coming after their big win against the Giants last week. You know, football is a funny game. You can look at all the numbers, but still … any given Sunday. Well, I’m picking the Chompers.

TFC: Hey, you know, that was pretty good. I’m going with the Chompers too.

RAND: Thanks TFC. This has been fun. Can I come back next week?

TFC: No.

More great fantasy football humor can be found at “The Football Circus” blog!

Holy cow, he’s rich and handsome. Holy crap, he makes me horny. Holy Moses, he’s got a sex dungeon. Holy f*ck, he can f*ck. Holy sh*t, I have to sign this contract? Holy crap, he’s mysterious and tortured. Ouch! he’s spanking me. Oh, I like it. Holy cow, he loves me for me? Hey! he tied me up. Huh, I like it. Holy crap, I’m meeting his mother. Holy f*ck, he can f*ck. Holy sh*t, shocking personal revelations! Glider. IHOP. Flogger. Handcuffs. Holy crap, he plays the piano too. Such a nice boy. Holy cow, the love of a brave woman should fix any broken man. Ah … aah … aaahh … aaaahhh! … aaaaahhhh!!AAAAAAHHHHH!! 

In Bring Up the Bodies, Hilary Mantel continues her brilliant speculation on the life of Thomas Cromwell – Master Secretary and all-around fixer for King Henry VIII of England – which she began in her Man Booker Prize-winning novel, Wolf Hall.

A major reason Mantel is enjoying success with these novels is because she persuades us to take the side of a man who – looked at objectively – enriches himself working as a merciless administrator of state-sanctioned murder.

This is a pretty neat trick and I think there are several reasons Mantel pulls it off. Here they are:

Thomas Cromwell as Compromised Corporate “Warrior” but Man of Private Virtue

One reason readers sympathize with Thomas Cromwell is because he is an idealized version of modern business professionals, who are sometimes required by corporate structures or profit pressures to compromise their principles, but who work hard to retain their personal integrity.

Consider: Thomas Cromwell is a man of ambition and ability who wants to enjoy career success and earn a good living for his family. But the institutions in which Cromwell can gain this success are all corrupt. Worse, they are run by self-dealing, dangerous, and arbitrary men. And the most dangerous of all is Cromwell’s boss: King Henry VIII.

Cromwell thrives by focusing only on getting Henry what he wants and making Henry believe that what he wants is right and proper. Cromwell doesn’t think about whether what he does is moral, partially because ultimate responsibility for his actions lies with the king – Henry decides what will happen, Cromwell only figures out how – and partially because arguing with or failing Henry will cost Cromwell his job, if not his head.

In the areas of his life he can control, Thomas Cromwell acts with integrity. He has not come to wealth from greed although he has accumulated great wealth. He does not strike from malice, although he will defend himself and he will avenge his friends. He nurtures talented young men of low birth and gives them chances to advance. He loves his family and cares for his household.

This is how men and women who have succeeded in today’s capitalist societies see themselves (many times correctly), and these men and women are a large part of Hilary Mantel’s readership. So it’s not a surprise they like Thomas Cromwell.

Thomas Cromwell as a Horatio Alger’s Hero

Thomas Cromwell’s life story is a classic “up by your bootstraps” narrative. He is the son of a physically abusive blacksmith who ran away from home as a young man, survived as a common soldier on foreign battlefields, succeeded by virtue of his talents, and came home to be the “local boy who made it big”.

This story appeals to modern capitalists everywhere, and it should. The fact that Cromwell rises in a world where success is almost always determined by noble birth makes it even more appealing.

Thomas Cromwell as a “Particular but Persuasive” First-Person Narrator

First-person storytelling naturally encourages readers to side with the narrator (unless he is astonishingly and relentlessly loathsome), but Cromwell’s first-person earns benefits beyond the normal advantage. And the key is that Cromwell uses the word “he” instead of “I” when he talks about himself.

Some reviews have regarded this as a tick or affectation on Mantel’s part. But I think it’s astute. First, Cromwell is the ultimate dispassionate observer, and thus manipulator, of Henry and the court. He never allows vanity or greed or hatred or fear or revenge to interfere with his judgment or make him act before he’s ready and before he’s certain. The “he” fits Cromwell.

More importantly, the “he” in Cromwell’s narration makes you feel that Cromwell is showing you the objective truth, not giving you his version of events. Cromwell is not selling you a line. He’s not trying to talk you over into his point of view. He’s giving you the facts, Mantel is saying, and Cromwell in those facts looks pretty good.

Dead Souls by Nikolai Gogol, translated by Bernard Guilbert Guerney, Yale Univ PressNikolai Gogol’s Dead Souls first gained fame as a caustic satire of Russian society when it was published in 1842. Today’s readers will value it as a mesmerizing phantasmagoria of human vice, mendacity, and mediocrity.

The title refers to a defect in Russian law that frequently required the owners of serfs (or “souls”) to pay taxes on their human property even after the serfs have died. The story follows Chichikov, a small-time confidence man, as he buys these souls at steep discounts, saving the owners from the taxes and gaining for himself fraudulent collateral he can use in subsequent schemes.

Gogol offers a parade of vividly detailed human caricatures described in language which is baroque, grotesque, exuberant, and exact. Fans of Vladimir Nabokov will find much that is familiar in Gogol’s prose. I enjoyed the translation of Dead Souls by Bernard Guilbert Guerney which Nabokov recommended .

The Alleghany Wildcats Fantasy League (AWFL) is one of the premier fantasy football organizations in the Northeastern United States.

Every week during its season, AWFL presents a fantasy football “preview” show broadcast on local cable from the commissioner’s basement in Shamokin, Pennsylvania.

The show is called “The Football Circus” (TFC) and features exciting guest commentators. (More great fantasy football humor can be found at “The Football Circus” blog!)

Made-Up Truth is pleased to announce we’ve acquired the rights to present transcripts of popular TFC segments from the past. Our first AWFL show broadcast last fall and featured President Barack Obama. Let us begin:

[As our splashy new graphics fade out, we see a fit African-American man in his shirt sleeves sitting with TFC. He smiles broadly, acknowledging the applause of the audience, then leans forward and folds his hand on the desk.]

TFC: I’m tremendously excited to introduce our AWFL League Week 1 guest commentator, President Barack Obama. Give him a warm AWFL welcome, folks!

[Obama opens his hands briefly, then folds them again.]

OBAMA: Thank you, TFC. It’s great to be here.

[A blinding light surrounds the president and an ethereal note rings out, like the transcendental voices of all heaven’s angels in an ecstasy of worship.]

TFC: What the f*** was that?

OBAMA: Don’t worry. Happens all the time.

TFC: Jesus. Okay. Let’s get started.

THE DARTH VADER RAIDERS at THE LONE STAR WRANGLERS

TFC: Mr. President, what strategy should the Raiders use to beat the Wranglers Week 1?

OBAMA: Hope.

TFC: Hope?

OBAMA: Yep.

TFC: Hope’s not a strategy. It’s a slogan. Care to elaborate?

OBAMA: Nope.

TFC: All righty. Insights abound. TFC doesn’t believe the expert projections and is going with the Wranglers. Let’s look at the next match up.

RED HOT PEGUINS at PEACH STATE REBELS

TFC: Here we have two good teams who have drafted strong players at every position rather than gambling big on a couple superstars. What do you think, Mr. President?

OBAMA: I look forward to having a vigorous debate on that question which will offer a clear choice to the AWFL League.

TFC: Sounds good! Let’s get it going.

OBAMA: It’s important that I tell the AWFL League where I stand on these important teams.

TFC: How about you tell us now?

OBAMA: We need to move beyond the normal Washington rhetoric, and start seriously discussing the questions that matter to the AWFL League.

TFC: Dude, anytime you want to start the discussing, we’re sitting here with our mouths closed and our ears open.

OBAMA: I’m planning on giving a major speech, sometime next month, at a wind turbine plant in Ohio, which will probably address the questions the AWFL League has about … ah … these two teams.

TFC: Oh never mind.

ROLLING THUNDER at TEAM BARBECUE

TFC: Here we’ve got the team with the highest projected points going up against the team with the lowest. Mr. President, what –

[Suddenly, a C-G-I monster with the heads of Barbra Streisand, Dennis Kucinich, and Cornel West lumbers into the TFC studio.]

SKW: Judas! You’re a Judas! Take your blood money, Judas!

[The Streisand-Kucinich-West monster tosses a small leather sack on the desk in front of the president and lumbers off. The bag lands with a loud clink. Obama looks inside and makes a quick count.]

OBAMA: Hey, wait. There’s only 38 in here.

TFC: What’s that?

OBAMA: Campaign contributions.

TFC: What do you think of this match up?

OBAMA: I think it’s going to be another long, painful season for Barbecue. Thunder wins.

MIGHTY MUSKRATS at TEAM BIG GOVERNMENT

TFC: I’m beginning to regret paying you good money to come on this show. So here are these guys.

OBAMA: This prediction is like my ideas on unemployment, the debt ceiling, the deficit, healthcare, China, the Israel-Palestinian conflict, education, infrastructure, Afghanistan, Iraq, the mortgage crisis, Gitmo, gay marriage, and the fact Michele is taller than me.

TFC: You mean, you’ve got no clue so you are going to play it safe, muddle around in the middle, not commit yourself, and hope nobody notices?

OBAMA: Exactly!

TFC: Let’s pretend I didn’t just notice. So … on this game … you’re picking both the Muskrats and Team Big Government to win? Or something?

OBAMA: Both to win or both to lose, I might do either.

CHIP CHOMPERS at EVIL PETES

TFC: This is a classic game between long-time rivals. What’s your take?

OBAMA: The Evil Petes should put Rodgers, Peterson, Colston, and Welker on the bench then offer the Chompers a tie.

TFC: What kind of stupid-a** plan for winning is that?

OBAMA: A good one. Clearly, I’m the only adult in the TFC studio.

TFC: Okay, the League will make the Evil Petes John-Boehner-pinkie-promise to bench Rodgers against the Chompers.

OBAMA: Those are words I know I can trust!

BELERGERENT BOVINES at FUBUZZBIE

OBAMA: Joe Biden is chairing a new group of Democrats and Republicans who will put on my desk a prediction for the Bovines and Fubuzzbie that I can sign. I’m expecting their report in November.

TFC: November is too late. Besides, TFC’s production company – Lovin’ Romo LTD – hired you to provide the commentary, not the legislature.

OBAMA: Once Congress does their job, I can do mine.

TFC: Okay AWFL League fans, that’s it. TFC promises to have a much better guest commentator next week, Texas Governor and presidential candidate Rick Perry! Sorry this one turned out to be such a bust.

OBAMA: What are you talking about? You’re stuck with me through the 2012 season, TFC

Which is the best Hamlet movie?  Here are my assessments of the film adaptations of Hamlet I’ve seen ranked in order of personal preference. I have also summarized the rankings of other critics from around the internet to give you more perspectives. “Have at you now!”

1. Richard Burton: Hamlet 1964.

Richard Burton wins the title “best Hamlet” with the range, insight, and power of his acting in this filmed stage production. Burton plays all of Hamlet’s emotions with extraordinary conviction: grief, fear, doubt, anger, indifference, easy acceptance. His transitions from line to line and emotion to emotion feel like the natural consequence of the previous idea and feeling. When he is funny, Burton is funny without the viciousness or condescension you often see in other performances. No Hamlet has ever sounded better. The sheer physical stamina of Burton’s work is impressive. And all this outweighs the serious limitations director John Gielgud faced filming a live performance in a Broadway theater as well as some less than stellar acting in the other roles.

Other rankings of Burton’s Hamlet. 7.6 out of 10 on IMDb.  74% Audience Score on Rotten Tomatoes.

2. Kenneth Branagh: Hamlet 1996.

Branagh’s performance swings wildly between Hamlet’s famous indecision and the Danish prince’s other signature (but often overlooked) characteristic: his recklessness. This choice creates a satisfying Hamlet and turns Branagh’s conspicuous habit of overacting into a virtue. Branagh films the whole text, and so includes the essential framing character of Fortinbras and allows us to fully see how Laertes and Ophelia together serve as a double for Hamlet. Some of Branagh’s directing is very fine (the two-way mirror in “To be, or not to be”) and some of it is not. The ghost scene in 1.5 is unwatchable, and Branagh stages the climactic duel in action-movie land.

Other rankings of Branagh’s Hamlet. 7.7 out of 10 on IMDb.  95% Tomatometer and 89% Audience Score on Rotten Tomatoes.

3. Laurence Olivier: Hamlet 1948.

Olivier is the better actor, and gives a better performance, but his concentration on Hamlet’s indecision makes less sense than Branagh’s choices. (Could an always-hesitating Hamlet improvise the murder of Rosencrantz and Guildenstern or jump into the middle of a battle with pirates?) Olivier edits the text so heavily that the story is unintelligible unless you know it. The way his camera stalks the corridors of dark, Freudian Elsinore castle hasn’t aged particularly well. And Olivier’s ditzy, hysterical Ophelia – played by Jean Simmons – not only offends contemporary tastes, but also begs the question, “What does Hamlet see in her?”

Other rankings of Olivier’s Hamlet. 7.6 out of 10 on IMDb. 95% Tomatometer and 80% Audience Score on Rotten Tomatoes.

4. Derek Jacobi: Hamlet 1980.

Derek Jacobi plays Hamlet as amazed by his weakness, rather than desperate for strength, and is one of the few Danish Princes who feels like he could actually be the son of a warrior king. Jacobi’s voice has an extraordinary range of emotional colors, and his acting is often supple and subtle. Unfortunately, the rest of the cast is uneven and in some scenes, dull. This version is filmed like the stodgy stage play it is with the occasional rough close-up, for which none of the actors except Jacobi seem prepared.

Other rankings of Jacobi’s Hamlet. 8.0 out of 10 on IMDb.

5. Benedict Cumberbatch: Hamlet 2015.

Cumberbatch’s superb Hamlet is marred by the choice of making his Danish prince entirely sane and pretty well adjusted. This makes Cumberbatch the most appealing and engaging Hamlet on my list, but it also robs his Hamlet of the philosophical transformation that powers the last third of the play, leaving the end feeling rushed and flat. Some clunker performances among the supporting cast and staging a bit heavy on gimmicky spectacle also knock this version down the list. My longer review of Cumberbatch’s Hamlet is here.

Other rankings of Cumberbatch’s Hamlet. 8.5 out of 10 on IMDb. 100% Audience Score on Rotten Tomatoes.

6. Mel Gibson: Hamlet 1990.

A “Mad Max” Hamlet is a piece of stunt casting, but Gibson climbs into the middle of the list by exceeding expectations. He’s really not bad. Gibson’s Hamlet is angry, wounded, and fearful, and he brings off the role well. There are strong actors throughout the supporting cast who are interesting in their roles. Zeffirelli substitutes his habitual spectacle for any fresh ideas about the play, however.

Other rankings of Gibson’s Hamlet. 6.7 out of 10 on IMDb. 76% Tomatometer and 59% Audience Score on Rotten Tomatoes.

7. Nicol Williamson: Hamlet 1969 and 8. Kevin Kline: Hamlet 1990.

Both of these performances are solid, intelligent, and affecting. But they are also familiar. With so many Hamlets on film, Williamson’s and Kline’s successes are less fun than the interesting failures below.

Other rankings of Williamson’s Hamlet. 7.0 out of 10 on IMDb. 70% Audience Score on Rotten Tomatoes. Other rankings of Kline’s Hamlet. 7.3 out of 10 on IMDb.

9. David Tennant: Hamlet 2009.

This 2009 Royal Shakespeare Production productively mines the play for maximum humor but comes up short on emotional punch. David Tennant nails Hamlet’s jokes, and his fear, but falls back on acting louder when he plays the Danish Prince’s anger and grief. Patrick Stewart’s Claudius is charismatic but doesn’t quite seem the fratricidal type. My longer review of Tennant’s Hamlet is here.

Other rankings of Tennant’s Hamlet. 8.1 out of 10 on IMDb. 100% Tomatometer and 91% Audience Score on Rotten Tomatoes.

10. Ethan Hawke: Hamlet 2000.

Much of the plot of Hamlet ceases to make sense when it is set in modern New York City, as this version is. But Ethan Hawke’s louche, slacker Hamlet is perfect for its time and his “To be, or not to be”” is superb.

Other rankings of Hawke’s Hamlet. 6.0 out of 10 on IMDb. 59% Tomatometer and 46% Audience Score on Rotten Tomatoes.

11. Campbell Scott: Hamlet 2000.

Most actors play Hamlet as unsteady but basically sane. Scott’s Hamlet is actually unhinged, which is what makes this performance from a good actor so intriguing. The problem is that a Hamlet who has actually suffered a mental breakdown would be unable to function in the play after Act 2. A supporting cast that is adequate at best doesn’t help matters.

Other rankings of Scott’s Hamlet. 6.3 out of 10 on IMDb. 70% Tomatometer on Rotten Tomatoes.

TBD. Innokenty Smoktunovsky: Hamlet 1964.

I need to track down a full version of this Russian language Hamlet before I can offer a capsule review. However, the clips available on the internet look promising as does the Shostakovich score. The production designer for Olivier’s film should demand royalty payments from the Russians, however.

Rankings of Smoktunovsky’s Hamlet. 8.3 out of 10 on IMDb. 100% Tomatometer and 92% Audience Score on Rotten Tomatoes.

12. Arnold Schwarzenegger: Hamlet 1993.

Arnold’s hilarious turn as the perfect anti-Hamlet in The Last Action Hero is not to be missed by fans of the Danish prince. Here’s the video from YouTube:

How Many Hamlet Movies Are There?

That depends on how you want to count them. Two recent film versions of HamletDavid Melville in 2010 and Bruce Ramsay in 2011, both cut the play to a running time of under 90 minutes. Iain Glen played Hamlet in scenes of the 1990 film version of Rosencrantz & Guildenstern Are Dead. There are many film adaptations “inspired” by Hamlet, from The Lion King to the just released Haider set in Kashmir. Wikipedia says there are more than 50 film adaptations of Hamlet. My counting criteria is more strict (a reasonably intact version of the original text) which is why Melville and Ramsay fall here. This criteria should exclude Schwarzenegger from the running too, of course, but Arnold was simply too funny to consign to a footnote.

Modernists can have a high strike-out to home-run ratio – but Woolf knocks it clean out of the park with To the Lighthouse.

The novel is organized into three sections. The first and third describe two vacations, separated by ten years, the Ramsay family takes to their house in the Hebrides. The second describes that house during their ten-year absence, slowly decaying under the influence of weather and time, while out in the world, members of the Ramsay family die.

To the Lighthouse is conflict rich but plot poor. Woolf gives us vivid, fragmented portraits of her characters during two brief moments in their lives, then asks us to assemble the pieces to understand who they were, what they’ve become, and what has changed them.

Her writing throughout the novel is masterful — Virginia Woolf does with words what Vermeer does with paint — but the second section is simply astounding. There is no way the description of an empty house should be moving. And yet often enough I read it through tears.

In The Killer Angels, Michael Shaara tells the story of the Battle of Gettysburg during its three most consequential days: July 1 -3, 1863.

Although the novel features a large cast of Union and Confederate officers, The Killer Angels belongs to Robert E. Lee, who is about to make a fatal blunder by ordering Pickett’s Charge, and James Longstreet, Lee’s second in command, who sees the blunder coming but cannot persuade the Old Man to stop it.

Shaara is critical of the romanticism of the South’s gentleman warriors, yet engages in romanticism himself. He takes us into the minds of the commanders who act decisively, but ignores those who hesitate or stumble. Officers die quickly and neatly, or discretely off-stage, while the enlisted soldiers just die in masses, except for the occasional unnamed man who screams as blood and entrails pour from his wound.

Still, Shaara recreates the Battle of Gettysburg with clarity and economy, and with insight into the thoughts and emotions of successful fighting commanders. The Killer Angels won the Pulitzer Prize for Fiction in 1975.

Pride and Prejudice and Zombies makes a tremendous first impression. It may actually be impossible to think of two works of imagination with less in common than a Jane Austen novel and a zombie movie. Putting them together is a stroke of comic inspiration.

The cover is a pitch-perfect spoof of paperback editions of literary classics. It features a painting of a pretty young woman in an empire-waist dress who would make a plausible Elizabeth Bennet if the flesh of the lower half of her face wasn’t ripped away and her clothes weren’t splattered with blood.

The idea is spectacular. The execution is flawless. That fact that the novel was actually published makes the whole thing funnier. But the book itself is a bore.

The problem is that Pride and Prejudice and Zombies contains one joke – that Elizabeth Bennet and other members of the English gentry are lethal zombie killers – and it tells this joke the same way each time. Further, Grahame-Smith doesn’t interact with Austen’s text most of the time. He just pastes in references to zombies where it’s convenient. As result, the humor of the book wears out the moment its novelty does.

This makes Pride and Prejudice and Zombies largely a wasted opportunity. So many of Austen’s characters might as well be zombies, as Grahame-Smith himself has noted, that it’s disappointing he didn’t take the final step and turn them into ones.

Lady Catherine de Bourgh would be perfect as the undead queen of England, but she is simply another deadly warrior in the novel. George Wickham would make an excellent vampire. He’s already a heartless, ruthless, selfish blood-sucker. “I should have finished you years ago!” Darcy could have cried, driving a stake into Wickham’s heart and saving Lydia from becoming nosferatu. Instead, we get pretty much the same story we already know.

If you read 20 or 30 pages of Pride and Prejudice and Zombies, you’ll get all the fun out of the book there is to be had. I recommend the last 30 pages, starting with the sword fight between Lizzy and Lady Catherine. The writing is less slapdash, which makes it more entertaining. For example, here is the passage in which Lizzy explains to Darcy why he first fell in love with her:

You were disgusted with the women who were always speaking, and looking, and thinking for your approbation alone. I roused, and interested you, because I was so unlike them. I knew the joy of standing over a vanquished foe; of painting my face and arms with their blood, yet warm, and screaming to the heavens—begging, nay, daring, God to send me more enemies to kill. The gentle ladies who so assiduously courted you knew nothing of this joy.

Also, don’t neglect to read the discussion guide. The questions are a hoot.

Although I can’t recommend reading Pride and Prejudice and Zombies, this doesn’t mean you shouldn’t own it. As an object, it is still extremely funny. Keep it on your book shelf. Show it to friends at parties. Or better yet, place it in the guest bathroom along with a few recent copies of The New Yorker. You’ll look witty and urbane and eclectic (although I suppose, at this juncture, slightly behind the times). Those aren’t such bad things to be.